Catalogue décembre 2000
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Jean-Baptiste Frénet
Tatiana Loguine
Luis Vidal Molné
Lucien Ott
Pierre Thévenin
Henry de Waroquier

Paperboard
Paperboard 1
Paperboard 2
Paperboard 3
Paperboard 4
New drawings

Catalogues
Mazarini 1999
Amicorum 1999
En cours de préparation :
Mazarini 2000
Amicorum 2000
Mazarini 2008 (partie I)
Mazarini 2008 (partie II)
Mazarini 2011

  
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ECOLE ITALIENNE - Venise XVIe siècle
1 SAINT SIMON 430 x 230
Plume, lavis brun et gouache blanche, déchirures et manques au papier.

Provenance :
ancienne collection Saint-Saphorin de Mestral
cachet de la collection du Dr C.D. Ginsburg (1831-1914) (Lugt 1145)
cachet de la collection du professeur Wolf Bürgi (non répertorié par Lugt)
cachet de collection illisible ?

ECOLE ITALIENNE - XVIe siècle
Venice 1544 - id. 1628
2 TOBIE ET L’ANGE 200 x 357
Plume et lavis brun.

Provenance :
cachet d’une collection non identifié (Lugt 486b)
cachet d’une collection non identifié (Lugt 2079b)

ECOLE FRANCAISE - Fin du XVIe SIECLE
3 MONSIEUR LE DUC DE NEMOURS 268 x 665
Pierre noire et crayon sanguine

ECOLE ITALIENNE - XVIe siècle
4 PUTTI ET ANGELOTS (St Jean l’évangéliste au verso) 174 x 250
Plume, lavis brun et gouache blanche.

ECOLE ITALIENNE - Gênes XVIIe siècle
5 SCENE DE FAMILLE 230 x 300
Plume et lavis brun, porte un cartouche : " Niccolo de Modena ".

DELLA BELLA Stefano
Florence 1610 - id. 1664
6 CAVALIERS 197 x 310
Feathers, lacks and taches.
Cadre out of carved wood of time XIXth century.
Our drawing is in connection with the drawing of Stefano Della Bella preserved at the Museum of the Louvre gone back to 1633: "L'entrée of the Ambassador from Poland in Rome". It was carried out by it an engraving by Della Bella.

See :
Stefano Della Bella; Caen, Museum of the Art schools, 1998.
Drawings of Stefano Della Bella, Italian Drawings of the Museum of the Louvre, by Francoise Viatte, 1974, éd. of the national Museums.
Stefano Della Bella was the pupil of Remigio Cantagallina. He was influenced by Jacques Callot; the Cardinal of Richelieu employed it, Della Bella left a significant whole of engravings.
Probably carried out on the spot. Della Bella describes us the triumphal input of the Ambassador of Poland, George Ossolinsky, envoy of King Ladislas near the Pope Urbain VIII. The procession moves towards the papal city, according to a sinuous course made up of a long file of riders, horses retained by Turks, the page of weapons...

ITALIAN SCHOOL - XVIIth century
7 STUDY Of an ANGEL 114 x 127
Pencil blood, higher corners cut, spots and skins with paper.

ITALIAN SCHOOL - ROME - XVIIth century
8 SCENE OF the LIFE OF CHRIST
On back: SITTED MAN
267 x 185
Pencil blood, small tear with paper in bottom on the right.

Provenance :
old collection Gustave Soulier (1872-1937) (lugt 1215a).

SCHOOL OF NORTH - XVIIth century
9 LANDSCAPE, EDGE OF RIVER 180 x 252
Gouache, annotated with the back: "Peyer Fe".

SCHOOL OF NORTH - XVIIth century
10 LANDSCAPE, MAN ON HIS HORSE 180 x 252
Gouache.

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